Acclaim
“The audience found its treat in a young, fresh-faced baritone named Jonathan Beyer. The 27-year-old appeared natural, plowing through an ambitious program. Beyer’s voice is big and virile. He produced tones evenly throughout the registers, showing no strain when pushing high and loud. An affinity for Russian songs stood out in Rimsky-Korsakov’s ‘Ripening Cornfield,’ with its gently winding melody, and Beyer’s attentive phrasing and coloration. Beyer has the luxury of a robust, handsome voice, and promising years ahead.” – Washington Post
“…baritone Jonathan Beyer, who sang Trinity Moses in a robust voice but made every word a living presence.” – The New York Times
“Perhaps most impressive of all was Mr. Beyer’s brash Escamillo…[he] found his character’s swagger, delivering one of the better interpretations we’ve heard in recent years.” – Washington Times
“Baritone Jonathan Beyer (Papageno) was the substantial voice that carried the piece. He brought proportion and context to difficult writing and maturity to his stagecraft. His Papageno was a model of articulation, but also of nuanced singing. An able comedian, he was musically arresting and brightly funny, his timing in both boosting the opera’s impact.” – Broad Street Review, Philadelphia
“The most interesting performance was that of the American Verdian Baritone Jonathan Beyer. He is truly headed for a major international career. He is the Verdi baritone America has been waiting for. His interpretation of Rodrigo was moving and beautiful.” – Gazzetta di Parma
Please go to the Printable Acclaim (at right) for a complete list of this artist’s press quotes.
